Meal and Real

Recognized classic of American cinema, screenwriter and director Billy Wilder simply could hardly help but touch on the subject on the American media system. Inviting the gorgeous Kirk Douglas and sites.google.com creating another striking, unique picture of the imposing correspondent, Wilder is filming a grandiose, emotional, ironic and intensely pressing film performance.

The selfish unscrupulousness of your modern American press appears by using a collective image of an honest master in the pen, trying to realize his irrepressible ambitions, who’s got devoted his life towards the pursuit of unique material. With sparkling eyes and without having a shadow of doubt, he fearlessly walks from the dilapidated mine, to be the primary to secure a date with all the one who is going to’win’him the Pulitzer Prize – using the unfortunate miner, imprisoned by the desire of fate inside of a cramped opening between your fallen stones.

Taking command over the situation, subjugating the flow of real information, turning the reportage to a national tragedy – for this sort of person there isn’t anything impossible in relation to the aim of his life. As if an ancient prophet, he broadcasts into your recorder the reality that their own vanity demands of him.

Like bees flocking to sugar syrup, viewers of afflicted people strives to go to a distinctive attraction. Theater, baseball, cinema – no! Your dream forever is the ideal show with the unpredictable ending. The modern collision, who has opened its arena in the center of prosperous America, is becoming for many an outlet from a humdrum, routine existence. Carousels, stalls with hot dogs, sun loungers against the backdrop of rescue equipment – the human being drama inevitably develops in a booth

Delicately mocking the group, Billy Wilder generally seems to plunge the common American into his personal ignorance, simultaneously explaining to him be simple truths with the monstrosity of the a mindset to human tragedy, reproaching him for idle curiosity, passive compassion, and predictable reactions on the clever and timely steps of the vain correspondent.

Being in the particular center of events, the hero of Kirk Douglas unwittingly involves himself within the roughest confrontation – confrontation with himself. The invisible scales of conscience, once frozen at the degree of pathological egocentrism that outweighed decency, start to slowly hesitate when legitimate the bitter fate of an authentic worker, along with his ungrateful passion, with a form, naive old man, father and unhappy mother. At some point, he is unable to cope with the sincere compassion which includes awakened in him. And above all, about the for way too long and persistently led his hero Billy Wilder, that has been obvious from the particular beginning – he has to understand into what insignificance he turned himself over these long years, that no power and money can be placed above human life.

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